Interstitial Space

Stories

My stories reflect the intersections of art, science, poetry, and fiction. Hence they are multidisciplinary–that is at the interstices.

This project stitches pairs of sequenced stories together with what might be called metaphysical meanderings, reflections on time and space, on now and then. The stories often turn on scientific metaphors that describe and inform a state of being or an emotional incandescence. I have, for example, stories named “Free Radicals,” “Quantum Entanglement,” “The Uncertainty Principle,” “Cosmic Strings,” and “Naked Singularity,” an astronomical term.

Combining elements of prose and poetry, my genre bending and blending project explores interwoven dimensions of art and science. The stories stretch categories of time/space, suggesting possibilities not evident through customary linear timeframes and attesting to the poetic proposition that Rita Dove sets forth:  Imagine you wake up/with a second chance . . . .”
(
“Dawn Revisited,” On the Bus With Rosa Parks, 1999)

In their proper context, the scientific terminology intends to describe objective phenomena. For this body of work, the terms probe the interior by exploring the nature of relationships and the condition of intimacy. The story titles invoke the twists and turns of the imagination, suggesting something about the most private mysteries of what it means to be human.

Recombination: Stories at the Interstices

Stories

Some years ago, I began writing short stories that emerged from within me in the shape of a being to be encountered. Many of those stories were published in literary journals and otherwise received notice in a variety of ways (readings, blogs, podcasts, discussion topics). While I intended to turn them into a collection, the process of doing so and other complexities of work and life diverted my attention. More recently, I began to wonder about what had happened to the various characters populating those stories, now some years hence. Thus, began this reimagined project, tentatively titled Recombination. I currently am working on a set of matched stories that cross over time and place. They offer insight into the intentions and actions of the earlier characters but move them forward into a present—and perhaps a future. Taken together, they are an intermittent fictional series.

This project stitches the pairs of sequenced stories together with what might be called metaphysical meanderings, reflections on time and space, on then and now. The project as a whole crosses over into new terrain of both poetry and nonfiction prose; it bends and blends genres. The stories often turn on scientific metaphors that describe and inform a state of being or emotional incandescence. In addition to those already included in this project, I have stories named “Free Radicals,” “The Uncertainty Principle,” “Cosmic Strings,” and “Naked Singularity,” an astronomical term.

My short stories are not expressly about these concepts, but I do like such rich, evocative terminology. In their proper context, the scientific words are intended to describe objective phenomena. For me they can also probe the interior—by exploring the nature of relationships and the condition of intimacy.  This I consider the essential raw material for fiction. 

One story, for example, originally had another title, “Disquiet.”  During the revising process, however, I was drawn first to the term “Double Helix” after reading a news release and then “The Human Genome Project.”  It is now paired with a story, drawing from the same characters, called “Frisson,” which seems to relate to scientific words like “fusion” or “fission” but actually refers to a sudden passing phase of excitement.  For me these titles invoke the twists and turns of the imagination, suggesting something about the tiniest, most private mysteries of what it means to be human.